Parallel’s with Michelangelo drawings in Guillem and Maliphant’s ‘PUSH’.

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I have reviewed PUSH for Bachtrack here. I could not find on film the ‘Pieta’ moment which occurrs early in the dance in which Maliphant cradles Guillem in his arms.


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I preferred these close up moments showing how carefully the choreography from PUSH is moulded:

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Guillem and Cope in Manon.

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